September 27, 1898– Gifted Human, Vincent Youmans
One of my personal favorites from my much in demand self-created playlists is Stephen’s Happiness Mix. It has proved popular in my circle of friends. The Husband & I listened to it on a car trip & sang along for 180 miles. It contains June Christy‘s version of I Want To Be Happy, which is totally swingin’. This got me thinking about the life of Vincent Youmans, who was born 117 years ago today, just one day after his pal George Gershwin.
Youmans has much in common with his famous friend: they both collaborated with George’s famous brother Ira Gershwin, they both were geniuses at composing sophisticated, smart popular songs & serious music, & they both died tragically young, Gershwin at 39 years old & Youmans at 47 years old. Unlike Gershwin, Youmans left behind only a handful of songs that are truly famous: Tea For Two, I Want To Be Happy, Hallelujah, & the jazz standard Sometimes I’m Happy.
For decades, a legend circulated that Youmans had left behind a trunk of unpublished songs, all notated in a secret code that only he could decipher. Music historians worked for years to determine if this was true. Indeed, the trunk was discovered & it actually did contain hundreds of unheard melodies & scores, written in his mysteriously mirrored & intricate Da Vinci-like code.
Youmans came from privilege, born in Manhattan. He was raised in a spacious apartment on Central Park West. He served in WW1, & while in the Navy, he fell in love with hot men & the musical theater.
After the war, he went to work as a song-plugger for the prestigious music publisher T.B. Harms Company, publisher of the works of the Gershwins & Jerome Kern.
Now, boys & girls, I am going to give you a little history lesson: before digital downloads, before CDs, before phonographs, people purchased sheet music & sat around the piano at home singing the hits of the day. It took talented pianists who could put a song over with panache to sell the sheet music to the music stores. By performing the tunes of the great Tin Pan Alley songwriters of the day, Youmans grew to know the details of the structure of hit songs & quickly decided he could create his own.
As the composer he needed words & he turned to professional lyricists & he collaborated with the greatest: Oscar Hammerstein II, Irving Caesar, Leo Robin, Billy Rose, Mack Gordon, Buddy De Sylva & Gus Kahn. With Ira Gershwin, he wrote songs for Two Little Girls In Blue, a big Broadway smash in 1921.
The greatest theatre triumph of his life was No, No Nanette (1925), with lyrics by Irving Caesar. It became one of the most successful musicals of all time, with simultaneous productions on Broadway & London running for half a decade. No, No Nanette has been revived many times & has been reinvented often through the years. In the 1940s, a version featured the beloved tap dancer Ruby Keeler & played on Broadway even longer than the original production. It proved to be an even bigger hit in a 1971 Broadway revival, again starring Keeler.
Youmans wrote songs for the movies, most famously for Flying Down To Rio (1933), with Fred Astaire & Ginger Rogers. But his heart was on Broadway, but unfortunate failures followed, forgotten musicals which bombed & closed quickly, although the songs he wrote for these stinkers were always memorable. In 1932 he took one more chance with a Broadway show titled Take A Chance, but it also failed to find an audience.
Disheartened, Youmans retired from show biz in 1934, after a career of only 13 years, but worked undercover for years producing the songs & scores that went into his secret trunk.
Youmans finally returned to Broadway in 1943 with a colossal & ambitious extravaganza called The Vincent Youmans Ballet Revue, which crossbred classical & Latin music. A disaster of unprecedented proportions, it lost more than 5 million dollars, a great deal of dough in those days. This fiasco might have been the reason for even more of the secret songs in his hidden trunk. Its failure, along with his drinking problem & a life as a closeted gay man brought on Youmans’ final emotional & physical decline. He took his final curtain call all alone & largely forgotten, taken by TB in 1946.
Tea For Two is his most famous song. It is an ideal example of his economic use of short melodic phrases. The lyricist Irving Caesar said that the opening section was actually a dummy lyric tossed off so that Youmans could write the melody, but it worked so well they kept it. The song is unusual as a hit tune; it is written in 2 keys at once: A Flat Minor & C Major, a musical fusion that the Beatles would use 40 later, but which was mostly unheard of in the 1920s. Youmans’ modernization of the American pop song inspired the musicologist & critic Alec Wilder to say that Youmans was “one of the innovators of American popular song, & one of the truest believers in the new musical world around him”.
Youmans is mentioned in a Cole Porter lyric, a verse from You’re The Top:
Your words poetic are not pathetic.
On the other hand, babe, you shine,
& I can feel after every line
A thrill divine
Down my spine
Now gifted humans like Vincent Youmans
Might think that your song is bad
But I got a notion
I’ll second the motion
& this is what I’m going to add:
You’re The Top!
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